Our Stories: Adrienne Pitts
Adrienne Pitts visited London for the first time at the age of 16 and knew it was never a place she could live. Cold, grey and unwelcoming were the abiding impressions of her six days there during an arts and classics tour of Europe.
Fast forward 25 years, a slew of design and photography awards, an enviable Instagram following and a successful career as an internationally renowned photographer, and after a decade of calling London “home” she can’t imagine living anywhere else. Her original plan, when she headed there after a relationship ended, was to stay for maybe a year, but as many readers of these pages will know from their own experience, that infamous “just one year” vow is made to be broken.
Although it’s her work as a photographer she is best known for today, she has also forged a reputation as an outstanding art director, even if initially she assumed this field would play second fiddle to a career in photography. Graduating from Massey Wellington with a Bachelor of Design, a photography major and an alarming student loan, her timing was distinctly off. It was the very moment when digital photography was exploding, but her degree had been film-based and she couldn’t quite rustle up the $100,000 necessary to set herself up with the latest digital gear. Always pragmatic, she set about putting her design degree to good use, working as a graphic designer for a Wellington agency, before moving to the Bay of Plenty to take up a dual role as graphic designer-cum-photographer on the magazine Uno.

Vikki Coombes is a woman of many titles and many talents. She isn’t just a kiwi, but also a self-confessed hummingbird. Having enjoyed five different careers encompassing 20 different roles, Vikki now works with other hummingbirds, coaching them to weave their multiple passions into a life that they love, alongside her management consulting contracts.
If you’ve ever thought that artists are vague, creative, head-in-the-clouds types, a half hour with Mandii Pope would certainly shatter that stereotype. She may be one of New Zealand’s most prolific commercial artists but she’s also got a business nous and tech-savvy side to her that would put many MBA graduates to shame.
Most of us will go our entire lives without ever achieving our childhood career aspirations. As a little girl, Claire Kavanagh was convinced that the role of supermarket check-out operator would be the best job in the world, because you got to push a lot of buttons! At 15, she realised this dream in the Porirua Countdown. This may have been her first foray into customer service, but thankfully her aspirations didn’t stop there.